Playlist: 10 best Pink Floyd tracks

Playlist: 10 best Pink Floyd tracks

Exactly forty years in the past, Pink Floyd’s eleventh studio album The Wall was launched. So too was the primary single from the album, “One other Brick within the Wall, Half 2”. They hadn’t troubled the singles charts within the UK for the reason that halcyon days of the Syd Barrett period greater than a decade beforehand, so the 45’s subsequent success most likely got here as a lot a shock to the band as to anybody else.

“One other Brick within the Wall” turned a global smash, promoting over 4 million copies, giving Floyd a very sudden Christmas No 1 within the UK. It stays one among Pink Floyd’s hottest songs. However, it way back turned the norm to anticipate the sudden from a band for whom the time period “sonic adventurers” may need been coined.

After first coming to prominence with their acid-fuelled experimental residencies at London’s well-known underground music golf equipment the Marquee and UFO, adopted by a quick flirtation with pop stardom in 1967, Pink Floyd survived the departure of their de facto chief and most important songwriter Syd Barrett who turned one among rock’s first high-profile drug casualties and so they continued to evolve thereafter. These legendary psychedelic/artwork rock/prog rock behemoths have produced among the best music of the rock period. 

Listed below are simply ten of their best songs.​​



10. “Astronomy Domine” (The Piper on the Gates of Daybreak, 1967)

As soon as heard, by no means forgotten, the opening monitor from Pink Floyd’s astonishing debut album was mild years away from “Arnold Layne” and “See Emily Play”, the pair of whimsical singles that established Pink Floyd as unlikely pop stars within the Summer season of ‘67. A psychedelic voyage by way of the universe, Syd Barrett’s “Astronomy Domine“ is the right distillation of Floyd’s experimental freak-outs that so bewitched the underground cognoscenti in 1966 and ‘67, and even helped coin the time period ”area rock“ due to its otherworldly ambiance and references to celestial our bodies.  

9. “Cash” (Darkish Facet of the Moon, 1973)

Heavy on irony, ”Cash“, with its money register and jangling cash sound results, was a fully-fledged assault by Roger Waters on the evils of wealth and avarice significantly within the rock milieu, simply as Darkish Facet of the Moon launched the band to stratospheric mainstream success. The track’s uncommon time signature, roaring sax solo, chunky bass riff and David Gilmour’s dynamic soloing all add as much as Pink Floyd at their rockiest and most business, and “Cash” turned a uncommon hit single for them within the US however not within the UK.

8. “Us and Them” (Darkish Facet of the Moon, 1973)

”Cash“ segues into ”Us and Them“, one of many angriest but most stunning songs in your complete Pink Floyd canon. Roger Waters’ lyrics rail in opposition to struggle, poverty and injustice amid a heat haze of lustrous harmonies, gospel backing vocals and lovely tenor sax solos from Dick Parry. The music is by Rick Wright and it ranks excessive in his listing of achievements with Pink Floyd. Wright’s Hammond organ takes us to church on the intro, and he then contributes some massively affecting piano till all the weather come collectively for the emotive crescendo on the track’s climax.  

7. “One other Brick within the Wall, Half 2”, (The Wall, 1979)

Impressed by Roger Waters’ experiences at grammar faculty and with its decidedly unfestive message – protesting in opposition to the misuse of energy, the group’s first UK hit single in twelve years made for a relatively unlikely Christmas No 1. In truth, “One other Brick within the Wall” reigned for 5 weeks of their homeland and topped the charts around the globe. Little question, many consumers wouldn’t essentially have been Pink Floyd followers however had been attracted by the disco beat and the refrain sung by pupils of Islington Inexperienced College, and David Gilmour’s guitar solo is one among his highest. 

6. “Echoes” (Meddle, 1971)

Meddle was the Pink Floyd album that straddled their experimental psychedelic period and the progressive conceptual path they might quickly embark on with Darkish Facet of the Moon, and the monumentally formidable “Echoes” is the magnum opus of that transitional album. At a shade beneath 24 minutes, this side-long, slow-building soundscape could come throughout as improvised, nonetheless, “Echoes” is a rigorously structured ensemble piece showcasing every particular person member’s specific abilities. A lot of what we got here to like about post-Syd Barrett Floyd is right here  – lengthy instrumental passages, dreamy vocals, liquid guitar, luxurious melodies and harmonies, all punctuated by trademark Floyd sound results – the sonar bleep on the intro, corvids cawing and what to me feels like whales speaking.      

5. “Comfortably Numb” (The Wall, 1979)

This David Gilmour/Roger Waters collaboration was a fractious affair by all accounts, however the consequence was one among Pink Floyd’s most celebrated songs and an enormous stay favorite. The lyrics from Waters allude to his medicated state when acting at a gig a few years beforehand and carefully mirror The Wall album’s recurring theme of the psychological breakdown of “Pink”, the jaded rock star. Gilmour’s two guitar solos attain for the heavens and succeed on a track so nice that it even survived a Scissor Sisters remake.    

4. “See Emily Play” (1967)

One half of the brace of cherished early Floyd singles written and sung by Syd Barrett which together with their debut album summed up the cosmic experimentation of 1967. “See Emily Play”, initially known as “Video games For Might” adopted “Arnold Layne” into the charts, reaching No 6, and fashioned a part of the definitive soundtrack of the so-called Summer season of Love. Barrett nonetheless, considered singles as a compromise and was sad at showing on Prime of the Pops, and at the same time as this glorious evocation of childhood was using excessive within the charts, he was already exhibiting indicators of the drug-induced breakdown that may result in his departure from the band the next 12 months. 

3. “Time” (Darkish Facet of the Moon, 1973)

Darkish Facet of the Moon’s best track has so many pleasures – the well-known cacophony of chimes and alarms and ticking clocks main into thumping energy chords and Nick Mason’s iconic solo on rototoms drums. Richard Wright’s dreamlike vocals on the primary bridge organising David Gilmour’s hovering guitar solo, and the reprise of “Breathe” which leads into the final monitor on aspect one of many unique album, the majestic “The Nice Gig within the Sky” – which after I give it some thought, actually ought to have made this listing. Nonetheless, maybe the best pleasure of ”Time“, albeit a bittersweet one, is Waters lyrics (”Hanging on in quiet desperation is the English means“), the theme of which is one thing most of us can have skilled in some unspecified time in the future – the concern that life is slipping away with the passage of time. 

2. “Want You Had been Right here” (Want You Had been Right here, 1975)

Tasked with following the massive success of Darkish Facet of the Moon, Pink Floyd’s subsequent album was initially met with disappointment however is now considered as fairly the equal of its storied predecessor. Want You Had been Right here explored inter-band friction and their rising disenchantment with the music trade, however is greatest generally known as the album on which Floyd lastly confronted the prolonged shadow of the long-lost Syd Barrett head-on. The virtually unbearably melancholic and transferring title monitor isn’t overtly about their former colleague however with its light acoustic vibe and heartfelt lyrics, it’s inconceivable to not agree with David Gilmour when he mentioned he couldn’t sing it with out pondering of Syd.  

1. “Shine On You Loopy Diamond, Elements 1 to V” (Want You Had been Right here, 1975)

Initially a 26-minute suite, the majestic ”Shine On You Loopy Diamond“ was cut up into two components, bookending Want You Had been Right here. Elements 1 to V opens the album and Roger Waters’ lyrics referring to the “piper” who “reached for the key too quickly” make this the Pink Floyd track above all others that immediately speaks for and about Syd Barrett. This deeply transferring tribute to Barrett is made all of the extra poignant with the information that in some unspecified time in the future within the recording of the Want You Had been Right here album at Abbey Street studios, an virtually unrecognizable Barrett turned up unannounced and spent a while with the band. Many tears had been shed and that was the final contact the band had with their former comrade. Rock lore has it that the band was engaged on this monitor, Pink Floyd’s best track and though some components of the story could also be apocryphal, that appears totally applicable.  

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